Monday 27 November 2017

Spectatorship - Kenneth Anger: Experimental and Expanded Film/Video

Kenneth Anger is an American underground experimental filmmaker, occasional actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which in particular have been grouped together as the "Magick Lantern Cycle," and form the basis of Anger's reputation as one of the most influential independent filmmakers in cinema history. His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle." Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner," and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalisation of homosexuality in the United States. He has also focused upon occult themes in many of his films, being fascinated by the notorious English occultist Aleister Crowley, and is a follower of Crowley's religion, Thelema.

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As Anger discovered his homosexuality, at a time when homosexual acts were still illegal in the United States, he began associating with the underground gay scene. At some point in the mid 1940s, he was arrested by the police in a "homosexual entrapment," after which he decided to move out of his parents' home, gaining his own sparse apartment largely financed by his grandmother, and abandoning the name Anglemyer in favor of Anger. He started attending the University of Southern California, where he studied cinema, and also began experimenting with the use of mind-altering drugs like cannabis and peyote. It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde film makers like Willard Maas were doing in that decade. The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948.

Upon release of the work, Anger was arrested on obscenity charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography. Anger made the claim to have been seventeen years old when he made it, despite the fact that he was actually twenty, presumably to present himself as more of an enfant terrible. A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a clock ticking inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. Of this film, Anger would later state in 1966 that "This flick is all I have to say about being 17, the United States Navy, American Christmas and the fourth of July."


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